Craftsmanship

Apache Art and Craftsmanship: A Showcase of Skilled Traditions

How Apache beadwork developed, how glass seed beads changed earlier forms of decoration, and how styles and uses differ between Apache groups.

On this page
  1. Decoration before glass beads
  2. How glass beads arrived
  3. Common techniques
  4. What was beaded
  5. Regional differences
  6. Beadwork as income and as identity
  7. Learning and continuing the craft

Decoration before glass beads

Beadwork in the form most people picture today is a nineteenth and twentieth century development. Before glass beads were widely available, Apache peoples decorated clothing and gear with materials close at hand: painted designs on hide, fringes cut from the hide itself, shell, bone, seeds and pieces of stone, and, among some groups, porcupine quills. Which of these was used depended on the group and the region. Quillwork, for instance, is better documented on the Plains than in the desert Southwest.

Hide was the usual base. How well the buckskin had been prepared determined what could be decorated and how well it would hold stitching, which is why Apache hide tanning skills matter to any discussion of beadwork.

How glass beads arrived

Small glass beads, often called seed beads, reached Native communities across North America through trade with Europeans and Americans. For Apache groups, traders, military posts and agencies were all points of access during the nineteenth century, and supply increased once reservations were established. Exact timing varies from group to group, and sources describe it only in general terms.

Glass beads offered something earlier materials did not: a wide range of colors in a uniform size, which made detailed patterns practical. They were quick to adopt because they fit existing ideas of ornament, and makers combined them with older elements such as fringe, hide and metal.

Common techniques

Two stitching approaches are generally described. In lazy stitch or appliqué, beads are strung on a thread that is stitched down to the hide in short rows. Loom beadwork produces narrow woven strips of beads that are then sewn onto an item, and it is a bead technique, unrelated to the loom textile weaving of the Navajo and Pueblo peoples. Edge beading, where a line of beads outlines a seam or border, also appears widely.

Colors and patterns vary. Geometric designs such as bands, triangles and stepped shapes are common in many Native beadwork traditions, but it would be a mistake to assume that a given color or shape has a fixed meaning for all Apache people. Meanings, when they exist, belong to individual makers, families and communities, and outsiders should be cautious about interpretations printed on labels.

What was beaded

Beadwork appears on a range of everyday and special items:

  • Moccasins, including the tall boot style associated with several Southwestern groups
  • Bags, pouches and cases
  • Cradleboard decoration
  • Necklaces and strands worn as personal adornment
  • Clothing trim, such as yokes and edging
  • Items made for ceremonial or public dance occasions

Moccasins are the best-known example, and Apache moccasins differ in cut and decoration between groups. Beadwork is one part of traditional Apache clothing and of wider Apache adornment, which also included shell, metal and other materials.

Regional differences

The eastern groups, including the Plains Apache, Lipan and Mescalero, lived close to the Southern Plains, and Plains influence is often noted in their beadwork. The Plains Apache, historically called the Kiowa Apache, shared the region with the Kiowa and Comanche, and their beadwork is generally discussed alongside other Southern Plains traditions. Western Apache beadwork is often described as more restrained in some periods, with necklaces and small items prominent. These are broad tendencies. Makers moved, married across groups and traded, and individual pieces rarely fit tidy categories.

Beadwork as income and as identity

After reservations were created, beadwork could be sold to traders and visitors. Some pieces were made specifically for the tourist market, and these sometimes differ in size, form or finish from items made for family use. That does not make them less skilled; it reflects the circumstances of makers who had few other sources of income. The same trade shaped much of the Native American art market Apache makers entered in the Southwest.

Beadwork also functions as a marker of identity and pride. Items are worn at public gatherings such as an Apache powwow, and families may preserve older beaded pieces across generations.

Learning and continuing the craft

Beadwork is widely taught because it needs few tools: needles, thread, beads, a work surface and hide or cloth. Classes and family teaching are common in many communities, which is part of the broader work of teaching Apache crafts to younger people. Collectors and museums have preserved many older pieces, and those collections raise questions about care and about the repatriation of objects to the nations concerned.

For current information about particular makers, markets or workshops, consult the official websites of the Apache nations themselves.

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Apache Art and Craftsmanship: A Legacy of Tradition
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